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    Butthenovelistinthisstoryhasrejectedtheusualy”woman,bed,lovingmakingandlovingmakingandthenanotherwoman,bedandceaselylovemaking”.Hestartsnotwithimmediatesexmaking,butbydetaillydescribingtheinwardconflictsofthecharacter\'sconfusion-tobeornottobe.Thatistosay,whetherhewilldothatornot.Thissortofconflictingfeelingisverycommoninourdailylife.Wealwaysfacesuchsituationofdecidingtodothisornot,likebuyingstockshares,turningrightorleftwhenwehavemissedtheway.Awrongdecisionwillsometimescarrylotsofmistakesandrependenceafterwards.

    Aftershowingtheinwardfear,excitementandsexualexpectations,thenoveliststartstodepitthephysicalandverbalactionsofthecharacter.Itisveryamusingtoreadthewordsusedbythemalecharactortoleadhisaunttofallstepbystepintohistrap.Suchatechniqueisveryseldomlyusedbytheotheradultstorywriterswhowillinsteaddescribehowstrongthemalecharacterisandimmediatelycapturesthefemaleobjectandstartslotsoflovemakings.Forthiswriter,hischaracterisputinawellplottedwaythatgraduallybuildupthesexualatmospherebytalkingbitbybithisincestsexualexperienceswithhisaunt\'scousins.Theresultofthisistobuildupagoodsuspenseforthereaderstochaseafterandwillask”Comeon,whatwillfollownext”.

    Thefemalecharacter,theaunt,isalsoverysuccessfullypresented.Herdisbelieve,rejectionandforcedtobelieveandfinallyinducedbytheexplicitsexualdescriptionstothelaststageofacceptingth